Eve represents one of a number of shows that documents trans experiences at the fringe in 2017, its monologue format flashing back through the life and thoughts of its writer and performer Jo Clifford. Upsettingly familiar narratives emerge over the course of its highly personal narrative. Of gender specialists as the gatekeepers to treatment. Of Inadequate provision for those seeking help, and shame and oppression preventing others from ever revealing who they are or would like to be.
There are multiple levels of history here, from 1950s boarding schools and 1960s adolescence to 1990s lectureships and parenthood. We are told that this is the ninety-first play Clifford has written, and the craft and the weight of this experience leave her personal narrative technically and theatrically precise and poised. The language is honed, every word, to reflect the odd moments that make up a life. The structure of Eve similarly avoids a linear chronology, living in the medium of ‘queer time’ referred to throughout. The space of the theatre, like the space of memory, is separate from the everyday progression through the world.
Whilst the content is deeply personal, Clifford’s biographical tracing gestures to larger debates around trans identities and the dissolution of old binaries and absolutes. As much as Trump, the governor of North Carolina and other forces of regression might try to beat back the tide, through continued work and determined sharing, artists like Clifford, audiences, and especially young people are working to ensure that trans identities continue to be acknowledged. It is a generational privilege and obligation to ensure that oppression lessens. As the old quote goes, from Theordore Parker through Martin Luther King Jr and Obama, ‘the arc of the moral universe is long, but it bends towards justice’. But it must be bent, for justice and tolerance comes from hard work and determined engagement in a process of change.
- Lewis Church
Links relevant to this diagnosis:
A Look at Trans Shows at the Fringe – The List
Trans Mission: How to Tell Trans Stories on Stage and Screen – Fury, for the Guardian