Standing in a club space with occasional flashes to illuminate the dancing body and the active DJ. Wielded by the audience, beams of torchlight tracing back the gaze and the slow traverse of the space by a single figure on the floor, watched over by the music. Snatches of text singing out of the audio blur.
Sitting on a dance floor, staring up at the dancer weaving between the crowd and moving on the high podium. A whispered negotiation of support leading to a step up the back of a kneeling man. Furious dance filled with flashes of neon colour. Transitions across the floor to these stages as much a part of its content as what happens up there.
In both, the music pounding through my chest as it does through the body of the dancer. Involuntary swaying and nodding around the central defiance of the performer, the audience perhaps unsure of their expected role but staring away. Left in the moment, outside but in.
In both, the intricacies of experience traced across the body by the eyes of those watching. An assertion of experience, of difference and sameness marked by race/gender/sex/ability. Each of the pieces unstable in its liveness and immediate in its impact.
Sound as a partner not accompaniment, responsive to the movement of the crowd as much as the journey of the dancer. Blurring the border between ‘dance’ and ‘Dance’, the questions of form and participation that define and insist on integrity to established forms.
- Lewis Church
Links relevant to this diagnosis:
Different Angles - AQNB
Some Thoughts on Capital-D Dance - Movement Research