The performance pivots on a body harsh in the light, with power, sex and violence evoked through the calm narration of decadent sexuality. Dukes, kings and magistrates taking part in an orgy of privilege are slowly revealed through a slow drip of context, delivered by the artist in a measured storyteller’s tone. Ingvartsen orients the audience within the geography of the narrative. The room within her description is layered over the top of the one we sit in. Watching quietly becomes participation and culpability, a rehearsal of our own participation in the desiring looks that run under the societies we walk through. It reveals our acceptance of sexualised interactions and of abuse used as a plot point, and the fictionalisation of experiences that are a reality to thousands across the world. It raises the unequal dynamics of power at play in who gets to see and who gets to be seen as a sexual being.
Part of a series of choreographies (the ‘Red Pieces’) that explore sexuality, Ingvartsen draws those listening into the decadence she narrates. But this storytelling continually contrasts against the fierce and sudden use of movement. Ingvartsen barks like a dog through swift image flashes, unsettling the conventions of interaction with the audience set up moments before. Bare skin glows under naked strip light, and smoke, strobe and dance provide a parallel narrative to the text the artist recites. Occasionally aligning but rarely exact, the significance of the movement is one that builds to question looking itself through the brightness of light. Watching the body spin becomes impossible to sustain, forcing the audience to look away as their eyes involuntarily close against the glare. Noise explodes forth without warning to disrupt the passive listening to stories of sexual atrocity.
The dissonant combination of text and movement requires careful attention to the questions it asks. The piece offers no solution or remedy but stages and makes explicit the tension within the display of the body in a culture of desiring looks.
- Lewis Church
Links relevant to this diagnosis:
The Voice of the Storyteller - The New York Times
Sex, Health and Society - The Conversation