Imagine the world with a population of only 600 individuals. It might seem a quaint notion now that there are 7 billion of us occupying Earth, but 180,000 years ago, it really happened: humans nearly went extinct.
In a world increasingly mediated and sustained through ever more subtle technologies, it seems appropriate that the protagonists of Generation Zero meet through an online dating app. Their blossoming romance develops through a particular set of millennial anxieties and rituals. The strife at an unresponded message with a read receipt, the bonding over twee children's literature, the small unfoldings of mutual appreciations and desires.
Judging by the extreme rarity of mobile phones, tablets, or even laptops on stage, the theatre world has barely caught up with the technological realities of the present, let alone the future. Tremolo Theatre’s The Hours Before I Wake doesn’t step too dramatically beyond the realities of the world we live in. But its commitment to representing a social media-rich, technologically-dense world makes it feel unusual - a sci-fi satire that’s close to home.