TRAUMA

DROPPED / Gobsmacked Theatre Company

DROPPED / Gobsmacked Theatre Company

It’s an irony as old as time. Women may be seen as fit subjects for every conceivable violence, but they are not suitable for fight in war. From recent conflicts in Iraq, Afganistan and elsewhere, women's roles in the armed forces seem to extend little past the 2D. Physical, mental, societal violence is fit and fair game. But for a woman to fight in times of conflict has, until very recently, been seen as a frightening or morally disgusting transgression.  

I AM NOT A CHILD / Dale vN Marshall

I AM NOT A CHILD / Dale vN Marshall

As the wall text of this exhibition acknowledges, the graffiti practiced on the streets of Bath and Bristol by Dale vN Marshall preceded his sectioning in the Cornwall County Asylum in 1999, but the event exerts a continuing resonance on his practice of art. His spray-paint work on the walls of public spaces transferred to private galleries and international museums as a gallery artist, but maintains its still-street aesthetic.

DOUBTING THOMAS / Grassmarket Projects

DOUBTING THOMAS / Grassmarket Projects

Doubting Thomas is ostensibly about Glasgow's criminal underworld, but it's also about the consequences of childhood trauma and neglect, and it's about rehabilitation. Written and performed by Thomas McCrudden with support from the cast, it is the true story of his violent past, detailing his time both in and out of prison.

FINGERING A MINOR ON THE PIANO / Adam Kay

FINGERING A MINOR ON THE PIANO / Adam Kay

Adam Kay left a career as an obstetrician six years ago. In Fingering A Minor on the Piano, he shares observations about the realities of working as a doctor, creating a picture of the conditions and pressures that sit behind strike action.

ALL THE THINGS I LIED ABOUT / Katie Bonna and Paul Jellis

ALL THE THINGS I LIED ABOUT / Katie Bonna and Paul Jellis

Writer and performer Katie Bonna's latest work All The Things I Lied About, takes you by the hand and leads you gently into a maze of deceit. Contextualised within a faux-TED framework, we are deftly lured into a world constructed on a white lie here, an economy of truth there, until you no longer know what, or who, to believe.