HEART

EQUATIONS FOR A MOVING BODY / Hannah Nicklin

EQUATIONS FOR A MOVING BODY / Hannah Nicklin

2.4 mile swim. 112 mile cycle. 26.2 mile run. The athletes look more like spiders as we are shown a video of Sian Welch and Wendy Ingraham crawling across the finishing line of the 1997 Ironman Triathlon. The women push themselves past exhaustion to the point where their legs will no longer carry them. Their mental strength and determination lumps them over the line where they collapse, limbs twisted.

TEAM VIKING // James Rowland

James Rowland’s monologue, Team Viking, is a natural second act to Liz Rothschild’s Outside The Box, which I had just watched. Both shows highlight the importance and the challenges of giving a loved one the burial they want, but tackle this sensitive subject in completely different ways.
 
Drawing on a (mostly) true story, the tale starts with his father’s funeral. It’s a huge but slightly soulless affair at which Rowland has given a moving eulogy. We then flash back to the childhood origins of Team Viking – Rowland and his friends Tom and Sarah – who are bound together by their shared love of re-enacting scenes from Kirk Douglas’ 1958 film The Vikings, full of “fighting, quaffing and wenching”. They grow up and continue much along these lines, supporting each other through the ups and downs of life: Tom the fun-loving Lothario, Sarah the organised engineer and James, who plays all the other parts.
 
Suddenly everything changes when Tom is diagnosed with a rare, aggressive and totally incurable cancer. Primary cardiac angiosarcoma is cancer of the heart muscle – a condition affecting around 0.001 per cent of the population. He’s not quite one in a million, but it’s close. The disease is a death sentence, claiming Tom’s life in a matter of months, and Rowland takes us through the heart-breaking process of watching his best friend slowly fade away knowing there is nothing that can be done.
 
For his part, Tom is adamant that he wants the kind of funeral they’d play-acted as kids, cast adrift on a burning boat. He achieves it through some fairly spectacular emotional manipulation, leaving Rowland and Sarah to figure out how to actually make it happen. The technicalities of delivering Tom’s big finale are described in fraught, hilarious detail, far removed from Liz Rothschild’s calm explanations of organising a funeral of your choosing and the legal aspects of obtaining a dead body for burial. It’s not an orthodox ending, and some parts of it were technically illegal, but Team Viking is a moving story of friendship, loss, and the importance of giving someone you love the send-off they desire and deserve.

- KA


 
Team Viking is on at 14:55 at Just The Tonic at the Community Project until August 28th (not 15th). Wheelchair Access, Level Access, Relaxed Performance - https://tickets.edfringe.com/whats-on/team-viking

Dead right – who does a body belong to?: http://www.goodfuneralguide.co.uk/2009/07/dead-right/

Cardiac sarcoma: http://emedicine.medscape.com/article/277297-overview

Macmillan cancer support - at the end of life: http://www.macmillan.org.uk/information-and-support/coping/at-the-end-of-life

Diagnosis of Liz Rothschild’s Fringe show Outside the Box: http://thesickofthefringe.com/week-two/outside-the-box

Death on the Fringe: https://deathonthefringe.wordpress.com/

THE INEVITABLE HEARTBREAK OF GAVIN PLIMSOLE // SharkLegs

Few body parts are more engaged with (both literally and metaphorically), in theatre and literature, as the heart, and The Inevitable Heartbreak of Gavin Plimsole joins a healthy tradition of artwork in which heartbreak informs a medical heart condition, and in which a medical heart condition informs the story of a heartbreak. In TIHOGP, the audience follows Plimsole’s diagnosis of a serious heart condition caused from malformation, and follows him through informing friends and family, confronting the big questions of ‘Why Me?’ and confronting the uncomfortable reality that no one (not even a young man) is invincible.

The innovation with SharkLegs’ production however, expands both the metaphoric and literal questions of fate and our beating hearts, done by asking audience members to don a heart monitor, the readings of which are projected in the performance space, and which affect – Choose Your Own Adventure-like – the choices of the central character. While Plimsole’s central purpose is to ask audiences to confront their own mortality and their own sense of carpe diem (understood as both a point of inspiration and exasperation), he also thoughtfully shares his reality as a man with a chronic heart condition needing to make constant potentially-life-altering decisions about foods to eat/avoid and activities to do/avoid. For those who develop chronic conditions, the transition from an invincible body to one negotiating limitations can be challenging, as evidenced by Plimsole’s quite legitimate anger/conversations with God/attempts to reconcile past relationship. Reflecting on my own experience of writing about my illness many years ago, which I did in a series called BALL & Other Funny Stories About Cancer, I am quite moved by Plimsole’s honest anger and frustration on display.

By inviting the ever-changing heartbeats of the audience into the space as an essential set piece, The Inevitable Heartbreak of Gavin Plimsole asks audiences to reflect on the diversity of life and experience and how, despite us drinking energizing Redbulls or calming chamomile, our hearts and brains are still quite unpredictable – and this is a reality as horrifyingly frightening as it might be deliriously freeing. (BL)

The Inevitable Heartbreak of Gavin Plimsole is on at 13.40 at Pleasance Dome until August 29th (not 16th). Venue is wheelchair accessible, hearing loop available - https://tickets.edfringe.com/whats-on/inevitable-heartbreak-of-gavin-plimsole

A few other projects on hearts, heartbeats and heartbreak:

Sheila Ghelani’s Covet Me Care for Me: http://www.sheilaghelani.co.uk/covet-me-care-for-me/

Ira Brand’s Keine Angst: http://www.irabrand.co.uk/?works=keine-angst

Marina Tsartsara and Miriam King’s work: http://marinatsartsara.weebly.com/blog

On Hubbub – A Wellcome Trust funded project, run by an interdisciplinary team looking at work, rest, noise, tumult: https://wellcome.ac.uk/press-release/exploration-rest-and-busyness-announced-first-project-hub-wellcome-collection

On Waiting for Diagnosis – Fuel’s While You Wait Series: http://www.fueltheatre.com/projects/while-you-wait