REPRESENTATION

Bechdel Testing Life

Bechdel Testing Life is a series of plays inspired by the Bechdel Test, which asks whether a film, play or television series features a conversation between at least two women, about something other than a man. The question is one of representation. But it also makes me wonder whether women share ideas in a different way when they are together. 

Kate Fox, in her essay Girl Talk, tells us that there are many studies which demonstrate that the ways genders bond are different. As she writes, ‘male bonding tends to be more formal and organized’, and also that ‘every known human society has some form of men-only clubs or associations, special (often secret) male-bonding organizations or institutions from which women are excluded’. The private interactions between women are similarly important and should be foregrounded as well.

Caitlin Moran points out that women have fears totally outside the male experience. No man can really get why women hesitate before walking home in the dark. Girls are raped, robbed, assaulted, as well as diminished and demeaned for no reason other than that they have a vagina. That is terrifying. As Moran writes

We're scared. We don't want to mention it, because it's kind of a bummer, chat-wise, and we'd really like to talk about stuff that makes us happy, like look at our daughters — and we can't help but think, ‘which one of us? And when?’ We walk down the street at night with our keys clutched between our fingers, as a weapon. We move in packs — because it's safer. We talk to each other for hours on the phone — to share knowledge. But we don't want to go on about it to you, because that would be morbid.

Communication between the sexes is certainly possible, and understanding knows no gender. But empathy might be a different, and more complicated, matter. 

-       Lynn Ruth Miller

This diagnosis is based on the performance Bechdel Testing Life at The Bunker, London. Bechdel Theatre are at the Fringe highlighting shows which pass the Bechdel Test. Check in with their work here.

 

Links relevant to this diagnosis:

The Bechdel Test - Dykes to Watch Out For

What Women Say to One Another - Huffington Post

Women in Conversation - Elite Daily

What Do Women Talk About Mostly? - Quora Topic

What Women Never Say to A Man - Caitlin Moran, Esquire

Girl Talk - Kate Fox

EAT. SLEEP. BATHE. REPEAT. // Act One

The title of Eat. Sleep. Bathe. Repeat refers directly to the routines that are as vital to the residents in a home for men with “low-functioning” autism as they are to the staff. The drama begins when these routines are interrupted by the arrival of James, a young man who needs holiday work but has no experience of caring for people with disabilities.

The narrative follows James as he gets to know everyone (including himself), and as such it adopts his naive neurotypical perspective. This, coupled with the fact that much of the dialogue is comedic, makes for discomforting watching at times. While non-autistic characters - particularly James - develop during the show, autistic characters are much less dynamic in the narrative. Their actions and changes in mood are often presented as random, inexplicable and dangerous. The play is based on true events but while it may be drawing on real people and experiences (albeit seen through a neurotypical lens), it risks falling back to one-dimensional portrayals of autism.

However, by presenting five characters with a variety of traits and needs, Eat. Sleep. Bathe. Repeat shows some of the diversity of autism even within the low-functioning end of the spectrum. And while most of the residents seen on stage are non-verbal, the play does succeed in giving each of them a distinct character, perhaps again reflecting the people who inspired it.

- MR

Eat. Sleep. Bathe. Repeat. is on at 20.25 at theSpace on the Mile until August 13th. Wheelchair Access, Level Access - https://tickets.edfringe.com/whats-on/eat-sleep-bathe-repeat

Cian Binchy, an autistic performer, brought The Misfit Analysis to the Fringe last year: http://www.independent.co.uk/arts-entertainment/theatre-dance/news/we-need-autistic-actors-playing-autistic-roles-on-stage-says-curious-incident-adviser-10454728.html

Sara Barrett calls for authentic autistic voices in popular culture: https://www.theguardian.com/childrens-books-site/2016/apr/03/autism-voices-books-awareness-week

An interview with Steve Silberman, author of Neurotribes, including his dislike of the term “low-functioning”: http://www.npr.org/sections/health-shots/2015/09/02/436742377/neurotribes-examines-the-history-and-myths-of-the-autism-spectrum

Information about autism from the National Autistic Society: http://www.autism.org.uk/