Diagnoses — THE SICK OF THE FRINGE

Hannah Maxwell

Borderline // Amelia Stubberfield

Borderline by Amelia Stubberfield bears a similarity to the recent evolution of stand-up (with Hannah Gadsby's Nanette as the iconic example), where the conventional structure is punctured, warped and eventually collapsed in the face of true stories of suffering.

For Stubberfield, these stories centre around their years of mental health issues, distilled to a tome of medical notes and a three-letter diagnosis: BPD. Borderline personality disorder, affecting less than 2% of the population can manifest itself in a variety of ways, including fear of abandonment, suicidal ideation and difficulty in maintaining relationships. As Stubberfield self-deprecates, 'the Tinder profile writes itself'.

Their medical notes, along with recorded interviews with both friends and clinicians, offer different windows onto their experience of BPD - "Or, as I call it, life". Medical notes and similar documents have been used by other artists (from Bobby Baker to the vacuum cleaner) in attempts to illustrate the lonely and often grueling journey through the mental health system. With this piece, they serve to fracture the storytelling, as Stubberfield's BPD is seen through the eyes of many separate people across the mental health system - some looking with warmth, some coldly clinical.

In Borderline, Stubberfield vividly illustrates the entanglement of identity and illness by scrawling phrases from her medical notes on her body. In this way, they highlight how easy it is to conflate the sufferer and the symptoms. One therapist is 'bored during sessions with Amelia'; another notes they are 'casually yet appropriately dressed'. Where is the line between Stubberfield's actual and Disordered Personality? Every action is vulnerable to pathologisation, as seen in a re-enacted phone call with the CMHT officer.

Though life with BPD is described openly and vividly, the greyscale 'other place' of mental illness can only be truly understood by those who have already been there. It is alluded to right at the start, before Stubberfield steps onstage: we hear a rising cacophony of noise and drone, building to an uncomfortable volume. A snap from black to a spotlight, revealing Amelia and a microphone. The stand-up starts and the first topographical lines are laid of that other place, from which they may only recently have returned.

- Hannah Maxwell


Links relevant to this diagnosis:

Amelia Stubberfield

How common are mental health problems? - Mind

Borderline Personality Disorder - Mind

Community Mental Health Teams - Rethink Mental Illness

Bobby Baker: The Art of Surviving Mental Illness - Guardian

the vacuum cleaner - Mental

THE RHUM PLANTS // Mangonel Theatre

The Rhum Plants describes the story of Professor John Heslop-Harrison, purveyor of ‘botanical fraud’ in post-war Britain. It’s fast-paced multirole, irreverent comedy and hyper-verbosity of scientific and Latinate vocabulary, serve to illustrate the intense interiority of this tight-knit, peer-reviewed research field. The text is at times difficult to follow for the uninitiated, but it is interesting to see how even the seemingly most niche of scientific scandals can be dramatised for a general public. The passion exhibited by both the characters and performers in their discussion of Heslop-Harrison’s fraudulent ‘discoveries’ offer an insight into the historically fraught margins of research within many scientific fields. (HM)

THE RHUM PLANTS, Mangonel Theatre, 25th, 27-30h August, Sweet Grassmarket. Wheelchair Access, Level Access, Wheelchair accessible toilets. 

https://tickets.edfringe.com/whats-on/rhum-plants

Recent case of fraud, in HIV science

http://www.the-scientist.com/?articles.view/articleNo/42285/title/HIV-Scientist-Pleads-Guilty-to-Fraud/

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TUTTE CONTRO VERDI // Isifuera S.L. & Miren de Miguel

Miren de Miguel, established soprano within the Italian and Spanish opera circuit, has developed this solo performance piece in order to critique the roles of women within the canon of 19th century composer Guiseppe Verdi. She shares a range of arias with us, as well as established female characters such as Carmen, Violeta and Desdemona. The winding narrative of the feminist analysis is at times hard to follow; projected surtitles can divide non-Italian speaking spectators’ attention, and the translation left some of the argument indistinct. Nevertheless, Miguel’s performance explores the fates of women throughout Verdi, and how the failings of the male characters are taken on and writ upon the female bodies; in despair, violence, and suicide. 

At times the purpose of the piece may feel ahistorical, or approached from too conservative a feminist standpoint – what is the value in mining pre-20th century classical tropes for their inevitable misogyny? How can that analysis be brought into relation with contemporary feminism, and the treatment of women and women’s bodies in modern performance, particularly the strenuous and elitist field of opera? Yet Tutte Contro Verdi still embodies its own feminist intentions, however blurry their elucidation: in creating her own solo piece, and framing Verdi’s arias in her own criticism, she has removed the ‘woman’ in opera from its debilitating attachment to the male.

TUTTE CONTRO VERDI, Isifuera S.L. & Miren de Miguel, until Aug 17th, New Town Theatre. This venue is not wheelchair accessible. Please contact venue for further accessibility details. (HM)

https://tickets.edfringe.com/whats-on/tutte-contro-verdi

More on Tutte Contro Verdi: http://tuttecontroverdi.com/en/

Opinion in Edinburgh Feminist Review

https://edfeministreview.wordpress.com/2015/08/12/review-tutte-contro-verdi/

Natasha Walter on ‘Wagner’s Women’, feminism themes in the Ring Cycle

http://www.theguardian.com/music/2006/apr/15/classicalmusicandopera

See our Diagnosis of Monica Salvi’s Mad Women In My Attic!, which analyses gender roles in musical theatre

https://the-sick-of-the-fringe.squarespace.com/config#/|/diagnoses/2015/8/25/mad-women-in-my-attic-monica-salvi

2013 segment in BBC Radio 4’s Women’s Hour on Verdi’s heroines

http://www.bbc.co.uk/programmes/b03c46nw

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THE HIDDEN WORLD OF FUNCTIONAL DISORDERS // Dr Jon Stone at the Cabaret of Dangerous Ideas

Dr Stone introduces this ‘hidden world’ with this quandary: the symptoms of some functional neurological disorders (FNDs) resemble someone pretending to suffer from those symptoms. A patient might lose their tremor in one hand when they are preoccupied with a task for the other, for example – impossible for someone with MS, but symptomatic of both people with neurological disorders, and anyone consciously trembling their hand. The physical symptoms originate from the nervous symptom, thus might be alleviated when the limb is responding to reflex alone. However, this fact of the disorder presents several issues, with diagnostic practice, social stigma, and the divide between psychiatry and neurology.

Dr Stone’s presentation highlighted a range of overlapping debates around fraudulence, disability allowance, and the stigmatisation of people living with conditions that don’t outwardly present in ways recognisable to the general public.  Stone raises our society’s current fixation with benefit fraud, and the danger of people with FNDs being refused treatment if they are thought to be ‘faking it’ (if not for benefits, then as ‘drug-seeking behaviour’ – an experience illustrated in Mel Moon’s autobiographical Fringe show Sick Girl). His professional diagnostic experience renders him confident in distinguishing between people with a disorder and possible frauds, but the separation is still very reliant on the discretion of clinicians. The talk also featured a guest outpatient of Dr Stone’s, who suffers from dissociative seizures. Her story prompted discussion of the importance of educating employers about managing staff with FNDs, although the plaudits given her for being in work had the potential to undermine the destigmatisation of benefits claimants.

The Cabaret of Dangerous Ideas offers an interesting format for public engagement and discussion with frontline science, and continues with a programme of expert speakers from myriad fields. (HM)

THE CABARET OF DANGEROUS IDEAS, different speakers every day until August 30th, Stand in the Square. Wheelchair Access, Level Access, Wheelchair-accessible toilets available.

Full programme here: http://codi.beltanenetwork.org/codi-2015/the-shows/

Website for Functional and Dissociative Neurological Symptoms: http://www.neurosymptoms.org

Suzanna O’Sullivan in The Guardian on functional neurological disorders and the stigma of ‘faking it’: http://www.theguardian.com/society/2015/may/16/you-think-im-mad-the-truth-about-psychosomatic-illness

Dr Jon Stone on functional neurological disorders, delivered to the North British Pain Association, 2014: https://www.youtube.com/watch?v=w4obwKD8JLU

Access All Areas,: Live Art and Diability, NYC, from the Live Art Development Agency (LADA): http://www.thisisliveart.co.uk/projects/access-all-areas-live-art-and-disability-nyc-edition/

The Eye of the Storm Symposium, culmination of artist Catherine Long’s residency with UCL’s Institute for Cognitive Neuroscience, investigating connections between the body, movement and neurology: http://expectationviolation.com

TSOTF Diagnosis of Sick Girl by Mel Moon, who was accused of drug-seeking behaviour and reflects on rare conditionshttp://thesickofthefringe.com/diagnoses/2015/8/9/sick-girl-mel-moon

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