Patterns of Trauma

It is an age-old question: where does the best art come from, happiness or melancholy? It is a hard question to answer, and Patterns of Trauma explored the role of trauma in an artist’s work from the perspective of three artists, covering a range of disciplines. 

Patterns of Trauma was an informative and candid talk drawing on experiences of neurological disorders, racism and mental health related traumas. Multidisciplinary artist Nwando Ebizie, musician and poet Arike Grant and poet Byron Vincent guided the audience openly and honestly through their experiences. Chaired by clinical psychiatrist and meditation teacher Gemma Beckley, they explored the differences and the similarities in their practice and experiences. All participants brought their own insights but found common ground in the way they use empathy. Empathy becomes an incredible vehicle for sharing the true impact of trauma and connecting to people, whether audiences have similar experiences or not. Vincent showed the power of connection and the change it can create when he mentioned the work of the violence reduction unit in Scotland. Interestingly, the talk examined areas of traumas in art not often considered, such as the impact of revisiting the trauma on the artist. Patterns of Trauma highlighted how personal trauma and the responses to it are. It also looked at the impact this might have on any performer revisiting this in their work, and offered ways they could stay emotionally safe. 

Patterns of Trauma was a different take on trauma and what it means in the production and performance of art. What do you say? What do you leave out? How do you take care of yourself? It is important to consider.

- Dave Horn

Links relevant to this diagnosis:

Your Reality is Broken (Wellcome Collection) - Nwando Ebizie

Violence Reduction Unit

Emotional rescue: how personal trauma has been turned into art - Guardian

Art Can Heal PTSD’s Invisible Wounds – Melissa Walker (TED Talk)

Art and Trauma: Creativity As a Resiliency Factor - goodtherapy.org

Yvette // Urielle Klein-Mekongo

Urielle Klein-Mekongo, and the character she has created, Yvette, are young. Urielle and Yvette are young, capable, smart and talented women, who share an immense story about Yvette’s childhood trauma, using multi-character monologue, a looped audio score, and a physical presence which is strong but vulnerable, both available to an audience’s gaze yet firmly beyond our grasp. Urielle and Yvette are young, as are all those who experience childhood abuse and sexual assault at a young age. 

Over the summer, the New York State Legislature failed, yet again, to pass the Child Victims Act – to extend the statute of limitations on child abuse cases - or even to bring the law to a vote. And while Yvette lives in the UK, age 13, and her portrayal by Klein-Mekongo is complicated, rich and multi-faceted, I couldn’t help thinking about the other young survivors of abuse who, unlike Yvette, lack the confidence, or means, or mental preparedness to confront their abuser in their lifetime, pursue legal justice, or even find coping mechanisms to deal with trauma.

Yvette is a portrait of a woman at the epicenter of a world heavy with –isms: racism, sexism, body fascism, classism, colorism. And as audience members, we watch with a sense of powerlessness, waiting, hoping for something to disrupt the trajectory which is not inevitable, but feels probable, in a world which rarely privileges or looks out for young people in any manner which is more than just disciplinarily. That Yvette's story exists at all is a tragedy in any society, but the fact that it is as common as it is is an absolute disgrace, and a reminder that these isms- particularly sexism - are deeply rooted and need to be dismantle at every turn. What is rare, though, is the image of such a trauma being performed with such strength, dignity and commitment - the audience can watch with horror what happens to Yvette while simultaneously finding Klein-Kemongo's performance a reminder of the power of storytelling.

- Brian Lobel

Links relevant to this diagnosis:

Yvette - Urielle Klein-Mekongo

 On the New York State Child Victims Act - NY Daily News

Rates of Violent Crime and Sexual Offences - Office of National Statistics (UK)

Further Support: Rape Crisis England and Wales 

Race and Gender at Edinburgh Fringe: Excerpts from the Diary of a Black Woman at the Edinburgh Fringe by Selina Thompson - Exeunt